圣农博物馆 建筑设计 / 时境建筑

圣农博物馆  /  福建，中国
Sunner Museum, Fujian, China

圣农集团Sunner Group目前是中国肉食行业的领军企业。其软实力影响力逐年上升的情况下，该企业对宣传和展示行业技术以及发展行业交流互动有了进一步的诉求。

Sunner Group is acting the leading role in the Chinese meat industry, under the situation that its soft power’s influence is increasing year by year, the company has further demands on the promotion & display of industry technology and the development of industry exchanges.

我们很荣幸被选作为该企业展示馆的设计团队，涉及内容包含规划建筑，景观室内以及最后的展陈。

We are honored to be selected as the design team for the company’s exhibition hall, which involves designing architecture, landscape, interior, and the exhibition outcome.

项目位于圣农集团的生产基地，远离城市，位于环境优美的武夷山。圣农集团一个非常重要的企业运营理念就是零排放零污染，运进山里的是饲料和水电，输出的是鸡肉、各种副产品和生物电能。在参观了该企业的生产基地之后，设计师认为这是非常重要的一个设计出发点，圣农博物馆在设计之初就明确了与自然环境和谐相处的设计理念。

This project is located in the company’s production foundation, which is far away from the urban environment and located at the picturesque Wuyi Mountains. A very important spirit for their operation concept is zero-emission and zero-pollution. Fodder, water, and electricity are delivered to the site, Then, chicken meat, by-products, and bio-electricity are produced. After visiting the company, architects believed that this was a very important starting point for the design. The design concept of Sunner Museum which shows the harmony between humans and the natural environment is clearly defined in the beginning.

从地形中来
From the Ground

‍项目用地位于富屯溪河畔，在主干道的另一侧是大量生产厂房和一个大型的景观中轴线，在富屯溪的对面是层峦起伏的山脉。本项目一个重要的设计理念是希望建筑仿佛武夷山脉自然地貌的一个片段，从首层开始逐渐螺旋上升，一至三层屋面之间没有明显的层级关系，在狭窄的用地范围内形成了一个连续三层的拓扑地形，游览者可以从首层盘旋而上，沿着曲面的楼板和展览流线一路走到屋顶，在屋顶平台上一览周边的河流和山峦。这种没有边界的形态，自然地融入了周边的环境。

The site is located next to the Futun River. On the other side of the main road are factories and a large landscape axis. On the opposite side of the Futun River, there are undulating mountains. An important concept in this design is to integrate the entire project to be a fragment of the natural landscape of the Wuyi Mountains, where the ground floor gradually undulates and spirals up. From the ground floor, the second floor to the third floor’s roof terrace, there is no obvious hierarchical relationship, and a continuous three-layer topological terrain is formed within a narrow land area. Visitors can hover from the ground and walk all the way to the roof along the curved floor and exhibition flow lines. Finally, the surrounding rivers and mountains can be viewed on the undulate roof terrace. This landform without boundaries adapts the overall impression of the surrounding environment.

鸟瞰

设计草图

室内外景观的连贯
Coherence of Indoor and Outdoor Landscape

建筑由一个盘旋上升的螺旋曲面构成，在其中构建出合理的室内外空间划分尤为重要，设计师希望室内外具有连续贯通的视野，这在展览空间中并不寻常，给室内的展陈带来一定的挑战。设计结合悬挑遮阳以及自然光穿透到室内的距离计算，通过对展览的内容分类并仔细排布了一定的照度梯度，从室外景观空间过渡到拥有自然光线的室内空间，再到较为封闭的室内空间，创造出连续变化的光线条件，从而缓和了人工环境与自然环境的强烈反差。而曲面的屋面和室外的走廊上面布有绿化系统，从远处看仿佛是整个生态环境的一部分，设计师希望以这样的一种新的形态，轻松地把室外的景观系统引入到屋面上来，引入到室内的展陈空间当中。

Since this building is made of a spiral curved surface hovering upwards, it is important to divide a reasonable indoor and outdoor space. Architects hope that the indoor and outdoor spaces have a continuous view, this is unusual for an exhibition space. It challenges the interior exhibition at a certain level, but by combining the cantilever shading and the calculated distance of sunlight that penetrates to the interior, this layout adapts from outdoor landscape space to shaded outdoor landscape space. A gradient of the exhibition content from bright to dark natural light is delicately arranged. Space, therefore, accommodates the huge contrast between the artificial environment and the natural environment. The curved roof and outdoor corridors are designed with a green system, which seems to be part of the entire ecological environment from a distance, a fragment pulled up from the ground. Architects hope that this new form can introduce the outdoor landscape system to the roof and to the indoor exhibition space easily.

室外鸟瞰

在展览流线上，室内的展览空间和室外的自然山景相互渗透，形成一种“无尽的景观”。

For the exhibition flow, the interior exhibition space and the exterior natural mountain landscape can be viewed without obstruction, forming an “endless landscape”.

更大的景观系统
Larger Landscape System

在整个项目中，设计师不只关注项目场地本身，还希望将旁边的景观中轴带、周边的工厂区域和富屯溪景观走廊紧密联系在一起，而本项目的建筑结构也是其整个景观带上的一个节点。由此设计师还对周边的景观进行了规划：一个架空的连廊穿过工厂的货运主干道通往建筑的二层，从二层继续前行穿过建筑，通过景观廊道降落在富屯溪滨河景观带内。这样从地面浮起的建筑的拓扑关系就扩大延伸到更大范围的景观系统中来，该形而上的设计为未来厂区的规划做出了铺垫：为未来的工厂区参观动线与圣农博物馆的展示和集会功能之间的联动构架好基础设施，从而可以激发该企业展示区未来作为旅游目的地的潜在可能性。

For the whole project, architects hope to not only pay attention to the project site itself but also to closely link the adjacent landscape axis belt, the surrounding factory area, and the Futun River landscape belt corridor. The architectural structures in the project site are also part of this, it is a node on the entire landscape belt. As a result, architects also provided a landscape design for the entire surrounding area. An overhead corridor passes through the main road of the freight factory to the second floor and continues from the second floor through the building. Later, it can land in the Futun Riverside landscape belt through the landscape corridor. In this way, the topological relationship of a construction floating from the ground is extended to a larger landscape system. This metaphysical design paves the way for the planning stage: for the future factory area’s visiting circulation and Sunner Museum’s exhibition and assembly functions’ link builds a good physical infrastructure, which can stimulate the potential of the corporate exhibition area as a tourist destination in the future.

结构系统
Structure System

该项目的结构体系为钢结构，设计师希望呈现整个地面被拉升起来的效果，所以希望楼板尽量薄。结构工程师做了很多设计尝试，用钢梁拟合该曲面楼板，最终达成的效果是建筑部分层高5.5m，部分层高16m，虽然产生了巨大的结构高差，但最终实现了该设计理念。该曲面楼板的坡度与逃生楼梯规范划分相匹配：整个建筑的最终形态其实是受逃生楼梯坡度的影响。

The structural system of the project is a steel structure. Architects hope to achieve the effect of pulling up the entire terrain shell, so the floor slab is as thin as possible. Structural engineers have made a lot of design efforts, fitting steel beams to the curved floor slab, and the final result is part 5 meters for 5 stories and part 16 meters for 5 stories. The structure has a huge height change in between, but in the end, the design concept is still realized. The slope of the curved floor slab matches the standard division of escape stairs: the whole building’s final shape is affected by the slope of an escape stair.

展陈体验
Exhibition Experience

展陈体验希望不干扰建筑空间的拓朴形态：高大的空间能够给人以轻盈空旷的超人尺度的感受，与一般的展览空间不同，展陈设计希望能让游客在参观的同时观赏到室外美丽的自然景观和工业园区，这更加体现了圣农集团与自然融合在一起的企业精神，所以室内设计和展陈设计都以空间贯穿互相联通的方式完成游览体验。我们致力于打造一种更加自由的动线，以及更为新颖的不同标高之间的自由游览体验。

The overall experience of the exhibition is hoped to be unfolded in a way that does not interfere with the topology of the architectural space: the tall space can give people light and empty superhuman-scale feeling. Unlike ordinary exhibition spaces, the exhibition design here hopes to scatter some attention to the beautiful outdoor natural landscape and the industrial park, which further reflects the concept of Sunner Group’s integration with nature. Therefore, the interior design and exhibition design complete the tour experience in a way that space runs through each other. We are committed to creating a more free flow between planes and a free tour experience between different elevations, which is more novel and original.

首层入口外景

首层大厅内景

总结
Conclusion

改革开放以来，国内企业历经变化和发展，如今面临的是更加国际化、前瞻性的发展方向，提升现代化管理水平及国际影响力的诉求日渐增长。对企业文化的深刻挖掘，以及对周边地形地貌的尊重，似乎成为打造自信的企业文化的合理方式。

After China experienced reformation, and entrepreneurs have completed the original accumulation of hard work, the new generation of entrepreneurs is facing a more international and forward-looking corporate development direction. They not only pay attention to the struggling spirit but also raise the goal to modern management of the enterprise and a wider international influence, this request demand is increasing. And the deep excavation of firm culture, as well as the respect and enhancement of the surrounding topography and landforms, seems to have become a reasonable way to create a more confident national culture. Meanwhile, because of the rise of Chinese national power and ambitions, architects have a broader space and stage when they are creating physical space.

我们面对的场地充满了矛盾：它既是现代的、高科技的，又是非常偏远的、传统的、自然的。这种人和自然之间相互依托的关系不仅衍生出了朴素的企业精神，同时也会转化成现代、崭新的建筑空间语言，这是我们所相信的。

The location we face is full of paradoxes. It is modern, high-tech but also remote, traditional, and natural. The relationship between human and nature not only creates austere entrepreneurship, but also can transform into a modern and brand-new architectural space language, and this is what we believe.

技术图纸

首层平面图

剖面

项目信息
主创建筑师: 卜骁骏，张继元
Leader architects: Xiaojun Bu, Yingfan Zhang
设计团队: 缪斯，杨辛辰, 薛腾，王雪，姜云耀，李振伟， 蒋丽，盛兰悦，覃雅兰，陈飞澔，曹纯彪，王鹏飞，黄毅坤（时境建筑）
Team: Si Miao, Xinchen Yang, Teng Xue, Xue Wang, Zhenwei Li, Li Jiang, Lanyue Sheng, Yalan Tan, Yunyao Jiang, Feihao Chen, Chunbiao Cao（Atelier Alter Architects)
施工图设计: 杨力，简成海，杨海鹏，周海燕，洪恒茂，林国雄，郑璐，白远真（北京炎黄联合国际工程设计有限公司）
Construction Drawing: Li Yang, Chenghai JIan, Haipeng Yang, Haiyan Zhou, Hengmao Hong, Guoxiong Lin, Lu Zheng, Yuanzhen Bai (YHIA)
结构工程: 卜龙瑰，闫晓京，白子轩（北京市建筑设计研究院）
Structure Engineering: Longgui Bu, Xiaojing Yan, Zixuan Bai (Beijing Institute of Architectural Design)
建筑面积: 9800㎡
Area: 9800 sqm
设计时间: 2019-2022
Design Time：2019-2022
拟竣工时间: 2023.10
Complete Time：2023.10